Download Beckett and Bion: The (Im)Patient Voice in Psychotherapy and by Ian Miller, Kay Souter PDF

By Ian Miller, Kay Souter

This ebook makes a speciality of Samuel Beckett’s psychoanalytic psychotherapy with W. R. Bion as a vital point either one of Beckett’s and Bion’s radical ameliorations of literature and psychoanalysis. the hot e-book of Beckett’s correspondence throughout the interval of his psychotherapy with Bion offers a origin for an resourceful reconstruction of this psychotherapy, culminating with Bion’s recognized invitation to his sufferer to dinner and a lecture by means of C.G. Jung. Following from the process this psychotherapy, Miller and Souter hint the advance of Beckett’s radical use of medical psychoanalytic technique in his writing, suggesting the improvement inside his characters of a literary-analytic operating via of transference to an idealized auditor identified via quite a few names, it seems that in keeping with Bion. Miller and Souter hyperlink this pursuit to Beckett’s leap forward from prose to drama, because the psychology of projective identity is reworked to actual enactment. additionally they find Bion’s reminiscence and re-working of his scientific touch with Beckett, who figures because the 'patient zero' of Bion’s pioneering postmodern psychoanalytic medical theories.

This examining of Beckett and Bion isn't really easily interpretive yet a building that has arisen from a truly dynamic strategy, jam-packed with speculation and shock. faraway from negating different readings, it provides density to the textured figuring out of those impressive thinkers, every one officially in numerous traces of labor yet joined via what Bion himself may well name a 'reciprocal perception' of psychoanalysis. it really is reciprocal simply because Beckett remodeled psychoanalytic considering right into a literary style whereas Bion remodeled psychoanalytic pondering into method knowing. every one applied an identical item, yet with varied attentions to various ends. The constitution of the booklet is split into elements. half I starts with a biographical creation of Beckett and incorporates a dialogue of Beckett’s early metapsychological monograph, Proust. It provides Beckett’s years in psychotherapy, among 1934 and 193, and addresses the institutional contexts within which this psychotherapy came about, and likewise discusses of Wilfred Bion’s background and historical past. half II addresses Beckett’s radical use of unfastened organization as a literary shape and examines Beckett’s Novellas, the Trilogy, and his inventive transition from prose to drama. It concludes with an exploration of Bion’s theoretical use of his paintings with Beckett.

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88 Though sympathetic to Griffith’s ecumenical politics, P. S. ’’ 89 More recently, F. S. L. ’’ 90 By 1901, Moran had gained such prominence that Lady Gregory included his essay ‘‘The Battle of Two Civilizations’’ in her volume Ideals in Ireland, where his writing appears alongside that of the chief figures of the Revival—Standish O’Grady, Douglas Hyde, A. , W. B. 91 For understandable reasons, 29 joyce and the two irelands Moran was not a favorite among Protestants despite his appearance in Lady Gregory’s book.

73 While at UCD, Finlay founded and edited The New Ireland Review, which became a platform for Catholic militancy, as well as a UCD house organ. An NIR essay titled ‘‘A Question of Self-Respect’’ opens with a quote regarding Protestant control of Ireland from one Father O’Donovan of Loughrea, who said: Personally I do not blame Protestants very much. Catholics were themselves very much to blame. If they had grit and self-respect and cohesion they could have very soon . . forced any minority, no matter how powerful, to regard their rights.

55 There’s something incongruous about Synge’s reputation as the Protestant playwright who most closely identified with Catholic Ireland and his near hysterical tirades against middle-class Catholics. This schizophrenic reaction to Catholics is visible elsewhere in Synge’s life. On the one hand, he became engaged to the Abbey actress Molly Allgood, who was Catholic. On the other hand, he kept trying to transform her into a proper, cultivated Protestant lady, badgering her to learn about ‘‘literature and the arts’’ and warning her to avoid ‘‘low’’ contacts, by which he meant her Catholic fellow actors and actresses.

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